Showing posts with label the Shining. Show all posts
Showing posts with label the Shining. Show all posts

Monday, November 6, 2017

Horror Films Shine Bright

For our horror week I watched The Shining, a classic film based on the book by the famous Stephen King. If you haven’t seen it before then I think you need a quick overview. The Shining is about Jack, an aspiring writer and recovering alcoholic, who accepts a position as the off-season caretaker of the isolated Overlook Hotel in the Colorado Rockies. With Jack is his wife Wendy and young son Danny who possesses "the shining", an array of psychic abilities that allow Danny to see the hotel's horrific past. The hotel's current cook, Dick also has this ability and can telepathically communicate with Danny. The hotel had a previous winter caretaker who went crazy and killed his wife, two daughters and then himself. After a winter storm leaves the Torrances snowbound, Jack's sanity deteriorates due to the influence of the supernatural forces that inhabit the hotel, placing his wife and son in danger.

I love watching this movie. Not only does it have its gore scenes, but it also makes you really think about the twisted things that are happening. I think our reading by Carroll on ‘The Paradox of Horror’ helps to explain why people like me love horror movies such as this. The interesting theory Carroll proposes on the paradox of horror basically says is that things in horror that should repel and repulse us actually do the opposite. I think for a lot of people this is true. The genre of horror is not lacking fans, therefore it is fair to say people want to be repulsed and disgusted. We have to figure out why this is the case.

One idea proposed is cosmic fear. Fear triggers this sense of fascination of wonder and curiosity. I particularly think it relates to the supernatural. The Shining is full of supernatural events. There are premonitions of the past and future, ghosts or some type of spirit communicating to the living, at the very end the idea of reincarnation, and much more. There is a lot happening in this film and if you blink you might miss something. “Thus, to a large extent, the horror story is driven explicitly by curiosity. It engages its audience by being involved in processes of disclosure, discovery, proof, explanation, hypothesis, and confirmation.” Horror stories such as The Shining instil this desire to learn and know. With so many things difficult to explain in this movie, such as Jack communicating with the previous caretaker and Overlook Hotel murderer, we can’t help but be compelled to try and discover an explanation. “Applied to the paradox of horror, these observations suggest that the pleasure derived from the horror fiction and the source of our interest in it resides, first and foremost, in the processes of discovery, proof, and confirmation that horror fictions often employ.”


There is a special functional relationship between the beings that mark off the horror genre and the pleasure and interest that many horror fictions sustain. In order to reward our interest by the disclosure of the impossible beings of the plot, said beings ought to be disturbing, distressing, and repulsive. If they weren’t unique like this, people would not show as much interest. The Shining is a movie that requires deep thought to try and understand the unnatural and horrific events that take place. It is in my opinion a fantastic movie that captivates you and Carroll helps to explain why that is the case. 

Friday, November 3, 2017

Room 237

After watching the The Shining and reading Carrol's essay The Paradox of Horror,  I can see why the movie The Shining is an American-Horror classicand also why the horror genre is still so immensely popular nowadays. Personally, I have never enjoyed horror movies, but for some reason I have always wanted to enjoy them. But thanks to Carrol and his essay of The Paradox of Horror, I am now better able to understand why the horror genre is so attractive.

In Carrol's essay The Paradox of Horror, he ultimately seeks to discover the underlying reasons as to why human beings are attracted to the horror genre. He explores the 'paradox of horror' which "amounts to the question of how people can be attracted by what is repulsive" (160). This attraction is evident by how horror films produce fear, disgust, and repulsion, which are inherently distasteful emotions, yet the horror genre is massively popular. As Carrol is seeking to understand the 'paradox of horror' he declares the morbidly unnatural (the repulsive) evokes a type of fear called 'cosmic' fear. He says this fear is "attractive because this kind of awe responds to or restores some sort of primordial or instinctual human intuition about the world." He says that we seek the morbidly unnatural in horror to experience awe, a cosmic fear with a visionary dimension that corresponds to instinctual, human views of the universe (163).

In The Shining, one can see this 'cosmic' fear having a pivotal role in the film. Throughout the film, Danny experiences psychic phenomena. An example of this would be in the beginning of the film, where he has a vision of an elevator full of blood opening up. The Shining also gives ample evidence of what Carrol writes in his essay about the importance of curiosity in relation to the horror genre. Carrol says that the horror story is driven explicitly by curiosity, and that it engages the audience by being  involved in processes of disclosure, discovery, proof, explanation, hypothesis, and confirmation. He then says that doubt, skepticism, and the fear that belief in the existence of the monster is a form of insanity are predictable foils to the revelation (to the audience and/or characters) of the existence of the monster. This ultimately leads us with a desire to know steeped in curiosity (182).

Room 237 in The Shining is a perfect example of this type of curiosity causing the audience to become engaged and possessed with a desire to know. Earlier in the film Danny is explicitly told by Hallorann to not go into Room 237. This instantly made me fascinated and curious to know what is the truth or secret behind Room 237. Hallorann commanded Danny to not go in there, but I wanted proof and the exact reason as to why Danny shouldn't go in there. So once Danny stopped by Room 237 as he was cruising around on his tricycle, I was bombarded with conflicting thoughts and emotions. I remember kind of saying to myself, "You shouldn't go in there Danny. Don't do it." But also another part of me was saying, "Do it Danny. Open the door." I believe the 'paradox of horror' that Carrol is talking about can be effectively exemplified by that iconic scene.